Is James Franco a weirdo? Is he a stoner? Is he gay? Is he a wannabe? Is he just a normal guy? These are the questions that the media are dying to answer. Given that Franco is notoriously enrolled in several different schools and has two highly anticipated films coming out this fall, he appears to be one of the most sought-after celebrities in Hollywood right now. And these editorials weren't just satisfied getting regular, standard interviews with him; they wanted to delve deep into the psyche of one of the most complex, mysterious figures in the public eye.
Thus three different profiles were born in a time span of three months. New York Magazine was first with their epic 6,499-word profile on the Renaissance man. This was quickly followed by Franco covering the magazines Esquire (for their September issue) and the Advocate (for their October issue).
Frustrations have run rampant about the bandwagon-jumping of these magazines. While many people may think the last two are just rehashing what the first profile already covered, all the profiles all take different angles. Obviously, there are details that are bound to seem redundant if you have read them all. But many people don't know what goes into the making of a magazine. Most likely, all these projects were in the works before any one of them came out.
Yes, in the blog I posted about the Advocate's profile, I did allude to the Esquire profile regarding the similarity of the picture to the title of the Esquire feature. But that may have been purely coincidence. The thing I liked about the Advocate profile is the abundance of "gay" in the profile. The fact that the interview is taking place while San Francisco, possibly the gayest city in America, is celebrating gay pride is priceless. The profile also goes deeper into why Franco is attracted to homosexual roles, and it actually makes sense.
At times, the Advocate profile does get a bit too ambitious, however. It digresses from being a profile when it spends more than one page going on about his upcoming movie, Howl. It then tries to pick up about his life and cram details like how he doesn't do drugs, and even a detail mentioned in the NY Mag profile about how, after finding out that a friend of the family had died at the age of four, he burst into tears, exclaiming that he didn't want to die because he had too much to do. It happens.
Clearly, Esquire had the more dynamic feature, although it did have the most lackluster profile.
Overall, the Advocate provided interesting details and insights, Esquire was the most entertaining, but NY Mag, in my opinion, really conveyed who James Franco was to the audience. He's a really complicated figure to understand. He's not just an artistic guy who's perplexing to the world because of his decision to return to school after he's made it; he's still a Hollywood figure. Yes, it's admirable that he has so much going on, but he does have a personal assistant to help him with all that, who says that he probably wouldn't eat if she didn't present him with food. He's not a normal college student, or even a typical guy.
I'm cutting out a lot because I talk too much and I'm trying to wrap it up, but all in all, read these. If you like James Franco, read them. If you don't, read them. If you're an aspiring journalist/writer, READ THEM. Find out how to write about the same thing in a completely different way. Learn from their mistakes, and take away some good tips.
They're all really good anyway. So, there you go. I've written all that to come to this simple-minded, bland, easy-way-out conclusion. Just cherry.
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